30 Kasım 2012 Cuma

If You're New to the Blog.....

To contact us Click HERE
If this is your first time her, welcome to "A Media Specialist's Guide to the Internet". Here are some quick info-bits about the blog:

Tabs at the top mark specific pages where information is constantly updated.

Recently updated posts include:
The 2012 Presidential Election- more resources added

eReader Books- added as a page (top) and updated


LIKE WHAT YOU SEE? Why not subscribe to this blog or follow me on Twitter.

What's Your Blood Type?

To contact us Click HERE
The Blood Typing Game is an interactive activity where students try to detect the blood type of various patients. After choosing a patient, you are asked to use a syringe and take blood which you then put into three vials. Guessing the patient's blood type is the final step. The Blood Typing Game was the 2012 Winner of the Best Game Category by Swedish Learning Awards. Students will really enjoy this game, which was recommended to me by my colleague Pat, who teaches biology.

It's Time for the Edublog Award Nominations!

To contact us Click HERE
Nominations for the 2012 Edublog Awards are open and will be accepted until November 26, 2012.  The purpose of these awards is to "promote and demonstrate the educational values of these social media."  Here's how to nominate: write a post on your blog with your nominations and send a link to the post on the nominations page. Here are the categories for this year's awards:

  • Best individual blog
  • Best group blog
  • Best new blog
  • Best class blog
  • Best student blog
  • Best ed tech / resource sharing blog
  • Best teacher blog
  • Best library / librarian blog
  • Best administrator blog
  • Most influential blog post
  • Best individual tweeter
  • Best twitter hashtag
  • Best free web tool
  • Best educational use of audio / video / visual / podcast
  • Best educational wiki
  • Best open PD / unconference / webinar series
  • Best educational use of a social network
  • Best mobile app
  • Lifetime achievement

You Don't Need to be exquisite But Your Writing Does

To contact us Click HERE

Having written since I was a kid, I've met many authors, writers and journalists along the way. While we don't all fit the stereotype of the robed, sleepless, alcoholic writer hunched over a typewriter in the attic, we do have much in common. In expanding to being the winners of spelling bees and hoarders of dictionaries and other books, we love words. We love to read them, hear them, speak them and write them. We love them to a fault.

We must have the right words in the right place at the right time. And, possibly more importantly, they must be written flawlessly. We won't accept typos, spelling errors or grammatical snafus, because mistakes interrupt the flow and the meaning of our words. As a result, we expect perfection and we don't tolerate errors from ourselves or others. This religious doctrine makes it difficult to be a writer at times, but we can't help ourselves. We are obsessed with perfection.

Apa Format Example Paper

Living this way can make it difficult to meet deadlines, however, as we await the ideal word, headline or first paragraph. Sometimes we must settle for less. Sometimes we even have to settle for pretty good. It's a harsh reality, but at some point, we have to unblemished our latest assignment or task and turn it in so we can get paid. We have to let go of the perfection we covet, because it isn't going to bless us with its presence today.

You Don't Need to be exquisite But Your Writing Does

MLA Handbook for Writers of Research Papers Best

Rate This Product :


MLA Handbook for Writers of Research Papers Feature

  • ISBN13: 9780873529860
  • Condition: USED - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

MLA Handbook for Writers of Research Papers Overview

The MLA Handbook is published by the Modern Language Association, the authority on MLA documentation style. Widely adopted in high schools, colleges, and publishing houses, the MLA Handbook treats every aspect of research writing, from selecting a topic to submitting the completed paper. The expanded, revised, and redesigned sixth edition of the Handbook is a complete, up-to-date guide to documentation style and online research.


Customer Reviews




*** Product Information and Prices Stored: Feb 26, 2012 14:47:20

Our editors, however, see it differently. They will expect perfection, not because they are masochists but because it makes their jobs easier. If our work is flawless, they have less to do. They can focus on other writer's work or planning their next issue or project. To endear ourselves to them (and to get more work), we must dutifully comply. The issue is trying to equilibrium our desire to be perfect with the reality that we will never be. We can come close though by thought about proofreading, editing and fact-checking our work prior to submission. Here's how.

Proofreading-checking for spelling, punctuation, grammatical and formatting errors-can be a tedious, cumbersome task, particularly when attempting to proof your own work, but it can be done. I normally proofread on my computer screen first, development edits as I go. When done, I print off a hard copy and go straight through line by line, reading out loud as I go. I find that I observation errors in print that I don't see on screen, and reading out loud helps me to find words that I've missed or used incorrectly (e.g., there instead of their). For well important assignments, I'll ask person else to proof it as well. In fact, I have an editing buddy with whom I trade proofreading help. I have also tried reviewing the copy backwards and reviewing for a separate item while each pass straight through the text. For example, the first time I read straight through it, I might focus on spelling, the next time on grammar, etc. Make sure you have your dictionary and grammar guide handy too while this stage.

Editing. In expanding to proofreading, I also copyedit my work, meaning I check for misplaced modifiers, tell style, check for flow, etc. This process is more intense than proofreading and can take awhile. It is also difficult to do immediately after finishing an assignment, so I will set it aside until morning when I can look at it with "fresh eyes." Often major errors will jump off the page, begging to be corrected. while this phase, you'll need to have your handy stylebook out (Ap, Apa, Chicago by hand of Style, etc.) to be sure that you've followed the accepted guidelines for things like capitalization, numbers (figures versus text) and references.

Fact-checking. Many publications, particularly magazines, will fact-check your work. In other words, they'll verify the spelling of allowable names, check dates, key facts, website addresses, phone numbers and more. While publications often hire person to do this task, by doing it yourself first, you can save the publication time and money, again development it easier to work with you. When I fact-check my writing, I first double-check the spelling of all names and places. I look at reference materials (brochures, bios, enterprise cards, etc.) that I've been given, and I search online. If I am unsure, I'll phone the traditional source to confirm a spelling. I do the same thing with dates. For key facts, I do an Internet search, marking my source to either contribute to the fact-checker up front or for my own reference should I be questioned later. This was particularly helpful when I wrote an description about a coal mine explosion in the early 1900s. My editor wanted to confirm that a single mining town was second in size only to Seattle. Before she was willing to allow me to make that statement, she wanted verification.

In spite of these techniques, we are human and it is still possible that an error will occasionally slip straight through the cracks. However, if you are diligent in your effort to submit well-written, well-documented work without definite errors, your editors and publishers will be more likely to turn to you rather than the other guy - you know who I mean - the writer who thinks he's great but who can't spell his way out of a paper bag. Make sure you are the one they turn to for stellar, (nearly) flawless work.

Happy Writing!

Copyright (c) 2007 Dana Blozis

You Don't Need to be exquisite But Your Writing Does

A new chapter in my career - I'm now CIO for the district

To contact us Click HERE

Teacher >> Chief Information Officer
Monday, November 5th, is my first day in a new chapter in my education career. I am the new Chief Information Officer for the district and I will be overseeing the Educational Technology, Information Technology, and work closely with Data/Assessment/Accountability departments. 

I have already been working on some initiatives and there are some really great things in the works, including upgrades to much of the technology in the district. I have also been getting up to speed on some of the challenges and successes we have and will need to address. 
I spent 10 years as an engineer before becoming a Physics teacher and Educational Technology Specialist. I then spent 10 years in the classroom as a teacher and as an educational technology specialist and professional development facilitator. Now, I get to use my experience from all of these areas in one job. I'm looking forward to the challenges and am excited to get started. 
The staff I will be working with is talented and dedicated and have overcome many issues and challenges in the future and will continue to do so. 
As I transition into this new role, I will not have as much time to devote to this blog, so there will be less postings at first. I will continue to post to this blog though and will be adding some new features to it. 
I also look forward to continuing to collaborate, share and learn from the members of my PLN and will be looking for advice and help in the coming months. 


29 Kasım 2012 Perşembe

Have You Tried TED ED? Here Are 6 Sample Videos

To contact us Click HERE
If you haven't taken a look at TED-Ed, you are missing a wonderful resource for your classes. With 11 subject categories, each video comes with multiple choice and short answer questions, resources about the video 's subject, information on the creator of the video and the ability to flip the lesson. Take the TED-Ed tour here.


1. DESIGN, TECHNOLOGY: How Inventions Change History (for better or worse)



2. HEALTH: How Breathing Works


3. MATHEMATICS: Logarithms, Explained


4. PSYCHOLOGY: Rethinking Thinking


5. SCIENCE: How Do Nerves Work?



6. SOCIAL STUDIES: Why Do Americans Vote on Tuesdays?

You Don't Need to be exquisite But Your Writing Does

To contact us Click HERE

Having written since I was a kid, I've met many authors, writers and journalists along the way. While we don't all fit the stereotype of the robed, sleepless, alcoholic writer hunched over a typewriter in the attic, we do have much in common. In expanding to being the winners of spelling bees and hoarders of dictionaries and other books, we love words. We love to read them, hear them, speak them and write them. We love them to a fault.

We must have the right words in the right place at the right time. And, possibly more importantly, they must be written flawlessly. We won't accept typos, spelling errors or grammatical snafus, because mistakes interrupt the flow and the meaning of our words. As a result, we expect perfection and we don't tolerate errors from ourselves or others. This religious doctrine makes it difficult to be a writer at times, but we can't help ourselves. We are obsessed with perfection.

Apa Format Example Paper

Living this way can make it difficult to meet deadlines, however, as we await the ideal word, headline or first paragraph. Sometimes we must settle for less. Sometimes we even have to settle for pretty good. It's a harsh reality, but at some point, we have to unblemished our latest assignment or task and turn it in so we can get paid. We have to let go of the perfection we covet, because it isn't going to bless us with its presence today.

You Don't Need to be exquisite But Your Writing Does

MLA Handbook for Writers of Research Papers Best

Rate This Product :


MLA Handbook for Writers of Research Papers Feature

  • ISBN13: 9780873529860
  • Condition: USED - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

MLA Handbook for Writers of Research Papers Overview

The MLA Handbook is published by the Modern Language Association, the authority on MLA documentation style. Widely adopted in high schools, colleges, and publishing houses, the MLA Handbook treats every aspect of research writing, from selecting a topic to submitting the completed paper. The expanded, revised, and redesigned sixth edition of the Handbook is a complete, up-to-date guide to documentation style and online research.


Customer Reviews




*** Product Information and Prices Stored: Feb 26, 2012 14:47:20

Our editors, however, see it differently. They will expect perfection, not because they are masochists but because it makes their jobs easier. If our work is flawless, they have less to do. They can focus on other writer's work or planning their next issue or project. To endear ourselves to them (and to get more work), we must dutifully comply. The issue is trying to equilibrium our desire to be perfect with the reality that we will never be. We can come close though by thought about proofreading, editing and fact-checking our work prior to submission. Here's how.

Proofreading-checking for spelling, punctuation, grammatical and formatting errors-can be a tedious, cumbersome task, particularly when attempting to proof your own work, but it can be done. I normally proofread on my computer screen first, development edits as I go. When done, I print off a hard copy and go straight through line by line, reading out loud as I go. I find that I observation errors in print that I don't see on screen, and reading out loud helps me to find words that I've missed or used incorrectly (e.g., there instead of their). For well important assignments, I'll ask person else to proof it as well. In fact, I have an editing buddy with whom I trade proofreading help. I have also tried reviewing the copy backwards and reviewing for a separate item while each pass straight through the text. For example, the first time I read straight through it, I might focus on spelling, the next time on grammar, etc. Make sure you have your dictionary and grammar guide handy too while this stage.

Editing. In expanding to proofreading, I also copyedit my work, meaning I check for misplaced modifiers, tell style, check for flow, etc. This process is more intense than proofreading and can take awhile. It is also difficult to do immediately after finishing an assignment, so I will set it aside until morning when I can look at it with "fresh eyes." Often major errors will jump off the page, begging to be corrected. while this phase, you'll need to have your handy stylebook out (Ap, Apa, Chicago by hand of Style, etc.) to be sure that you've followed the accepted guidelines for things like capitalization, numbers (figures versus text) and references.

Fact-checking. Many publications, particularly magazines, will fact-check your work. In other words, they'll verify the spelling of allowable names, check dates, key facts, website addresses, phone numbers and more. While publications often hire person to do this task, by doing it yourself first, you can save the publication time and money, again development it easier to work with you. When I fact-check my writing, I first double-check the spelling of all names and places. I look at reference materials (brochures, bios, enterprise cards, etc.) that I've been given, and I search online. If I am unsure, I'll phone the traditional source to confirm a spelling. I do the same thing with dates. For key facts, I do an Internet search, marking my source to either contribute to the fact-checker up front or for my own reference should I be questioned later. This was particularly helpful when I wrote an description about a coal mine explosion in the early 1900s. My editor wanted to confirm that a single mining town was second in size only to Seattle. Before she was willing to allow me to make that statement, she wanted verification.

In spite of these techniques, we are human and it is still possible that an error will occasionally slip straight through the cracks. However, if you are diligent in your effort to submit well-written, well-documented work without definite errors, your editors and publishers will be more likely to turn to you rather than the other guy - you know who I mean - the writer who thinks he's great but who can't spell his way out of a paper bag. Make sure you are the one they turn to for stellar, (nearly) flawless work.

Happy Writing!

Copyright (c) 2007 Dana Blozis

You Don't Need to be exquisite But Your Writing Does

Edutopia: on 'How Did School Do?'

To contact us Click HERE
by Shelly Blake-Plock

Edutopia published a guest post of mine today about the 'How Did School Do' project. Here's a snippet...

It wasn’t long ago that language arts teacher Wheeler and his Lakewood City School District biology-teaching colleague Ken Kozar –- along with a class of eager 10th graders –- realized that certain questions weren’t being asked online. And one question above all resonated with teacher and student alike: How did school do?
Read the whole article at Edutopia.

We Can't Define Social Media

To contact us Click HERE
by John T. Spencer

Educators clamor for open access to social media in schools. We (including me) write about the need to teach digital citizenship to the digital natives. And yet . . . how do we even define social media? I witnessed many metaphors yesterday and each one of them seemed to suggest that we are attempting to find things in our physical world in order to make sense out of the digital.

I'm not sure it does make sense. At least not to me.


LocationShould we view social media as a public location? If so, does it matter where one tweets from if he or she is "on Twitter?" Is it about the network? the equipment? If it is a space, is it truly public? Does it make a difference that someone must willfully follow a person on Twitter or "friend" a person on Facebook? My speech is, in this sense, less public than it would be at a supermarket or a baseball game.

Defining social media through the lens of location becomes tricky, though. Twitter is, on some level, a spaceless space. It is real-time, but not bound by time. My words do not evaporate the way they do in conversation. Instead, I leave a ticker-tape of thoughts behind me for anyone to pick up asynchronously. In addition, social media allow users to be in many places at the same time in a way that is simply not possible without a horcrux (Harry Potter reference). 
If I can speak openly about my faith at Starbucks with a group of friends then what changes if it in a tweet instead? The size of the group, perhaps? What size is large enough to be "broadcast?" If this is the case, it would seem that the larger issue is less about the Establishment Clause than the right to assemble publicly.

Content
Should we view social media as the tools we use for the content that we produce? Is it similar to writing a book, publishing a magazine, posting a blog? What makes a tweet different from a bumper sticker in a staff parking lot, where a student might see political, personal or religious speech? How are my Instagram pictures any different from putting photography in a museum? 
The difficulty here is that the content is more accesible than in other forms of media. It is public, open to the entire world anywhere at any time. And unlike other media outlets, it is one in which the creators of the content do not have any voice in who owns the method. 
If so, then are the issues of free exercise and the establishment clause really relevant to social media? At this point, it seems that it would be more an issue of the freedom of the press. It is hard to deny the power of the pocket journalists in the Arab Spring who used social media to report on the issues in the world. 
CommunicationShould we view social media as a method of communicating? Is it simply another form of conversation, not unlike body language, voice, text, etc.? When I'm tweeting am I simply having a conversation with whoever cares to listen? 
The problem here is that social media doesn't work like traditional forms of communication. The permanence, the broadcast nature of each medium, the difficulty in determining who is "listening" make it challenging. Moreover, it becomes even more challenging when it social media, by nature, are multimedia. Twitter involves videos, pictures, symbols, text, all moving digitally. 
IdentityShould we view social media as an expression of one's identity? We use terms like digital citizenship, online identity and branding, which all suggest that social media moves beyond simply communicating and into "being." 
The problem here is that it is easier online to choose anonymity and to craft identity in ways that are much more difficult in person. In addition, social media force the individual to create separate accounts  if he or she wants to compartmentalize. I am always a teacher at school. It is my identity. My speech changes when I am off the clock, outside of school. 
I see a real danger in the notion that employers (especially if it is the government) essentially "owns" a person at all times when he or she uses social media. When the speech is permanent (as it is) and the profile is static (as it is), I don't have the chance to switch roles and responsibilities. 
What does it mean, then, to protect the personal side of a teacher (or any worker) online? At what point does a teacher still represent a school even when he or she is "away" from that context? 

Cell Phones Don't Annoy People; People Annoy People.

To contact us Click HERE
By Noah Geisel (@SenorG)

Last week, I joined fans of public radio’s This American Life, in shelling out twenty bucks to go to the movie theater for a live taping of the program. Host Ira Glass drew laughs when he talked about the many theater managers nervous that we was encouraging viewers to take out their cell phones during the show. While he was going for laughs, he was dead serious about letting folks fill the theater rooms with screen glow. Dozens of audience members in hundreds of theaters across two continents simultaneously pulled out their smart phones and fired up the app that had been created specifically for this show. Glass introduced the band OK Go, known more for their groundbreaking music videos than pop melodies. The gimmick-geared musicians did not disappoint. The easiest way I can describe the experience: the band played music and with the app the audience played Guitar Hero to accompany them. I think the consensus was that it was pretty cool stuff.

At the end of the song, folks put their phones away and the show, as they say, went on.

Cell phones have become Enemy #1 in subways, movie theaters and pretty much every public space. OK Go and This American Life provide an excellent example of how mobile technology can be mobilized for positive disruption. They succeed in showing that the negative disruptions are a product of the users, not the phones.

This is a good lesson for schools and educators to note. In edu-speak, controlling the impact of cell phones is a classroom management issue, not a cell phone issue. This does not necessarily mean educators need to be incorporating mobile into their lessons (though many readers of this blog probably do); rather, that we are at least embedding into our lessons the idea of responsible cell phone citizenship. Modeling the positive disruptions a la Ira Glass is one of many ways of fostering this important learning.

28 Kasım 2012 Çarşamba

If You're New to the Blog.....

To contact us Click HERE
If this is your first time her, welcome to "A Media Specialist's Guide to the Internet". Here are some quick info-bits about the blog:

Tabs at the top mark specific pages where information is constantly updated.

Recently updated posts include:
The 2012 Presidential Election- more resources added

eReader Books- added as a page (top) and updated


LIKE WHAT YOU SEE? Why not subscribe to this blog or follow me on Twitter.

What's Your Blood Type?

To contact us Click HERE
The Blood Typing Game is an interactive activity where students try to detect the blood type of various patients. After choosing a patient, you are asked to use a syringe and take blood which you then put into three vials. Guessing the patient's blood type is the final step. The Blood Typing Game was the 2012 Winner of the Best Game Category by Swedish Learning Awards. Students will really enjoy this game, which was recommended to me by my colleague Pat, who teaches biology.

It's Time for the Edublog Award Nominations!

To contact us Click HERE
Nominations for the 2012 Edublog Awards are open and will be accepted until November 26, 2012.  The purpose of these awards is to "promote and demonstrate the educational values of these social media."  Here's how to nominate: write a post on your blog with your nominations and send a link to the post on the nominations page. Here are the categories for this year's awards:

  • Best individual blog
  • Best group blog
  • Best new blog
  • Best class blog
  • Best student blog
  • Best ed tech / resource sharing blog
  • Best teacher blog
  • Best library / librarian blog
  • Best administrator blog
  • Most influential blog post
  • Best individual tweeter
  • Best twitter hashtag
  • Best free web tool
  • Best educational use of audio / video / visual / podcast
  • Best educational wiki
  • Best open PD / unconference / webinar series
  • Best educational use of a social network
  • Best mobile app
  • Lifetime achievement

340+ Sites with Tips, Tricks and Shortcuts for the iPad

To contact us Click HERE
A while back I did a post on 39 Sites for Using iPads in the Classroom. It has become my most popular post so far, so I decided to look into tips, shortcuts and tricks for the iPad. There are  many sites devoted to the most popular tablet in the world, so it is quite possible that you'll find duplicates on some of these lists:

9 Fun iPad Tricks 

10 Useful Apple iPad Tips and Tricks- from Mashable

11 Tricks for iPhone, iPad and iPod Earphones

17 iPad Tips and Tricks:


32 iPad Tips and Tricks- from PC Magazine

40+ Super Secret iPad Features and Shortcuts

50 Really Useful iPad 2 Tips and Tricks- from a great site, Apps in Education; you should bookmark this site!

100 iPad  Tips and Tricks- this pdf download has a table of contents so you can see what's inside

Setting Up Shortcuts for iPhone and iPad:


Seven iPad Keyboard Tricks- from Macworld:

The Best iPad Tips and Tricks- from Gizmo's Freeware, this site has a great quick select index to find tips

The Complete List of iPad Tips, Tricks and Tutorials- about 55 on this site from How to Geek.

Ten Tips and Tricks Every iPhone and iPad User Should Know- from the Wall Street Journal




LIKE WHAT YOU SEE?
 Why not subscribe to this blog or follow me on TWITTER. 

You Don't Need to be exquisite But Your Writing Does

To contact us Click HERE

Having written since I was a kid, I've met many authors, writers and journalists along the way. While we don't all fit the stereotype of the robed, sleepless, alcoholic writer hunched over a typewriter in the attic, we do have much in common. In expanding to being the winners of spelling bees and hoarders of dictionaries and other books, we love words. We love to read them, hear them, speak them and write them. We love them to a fault.

We must have the right words in the right place at the right time. And, possibly more importantly, they must be written flawlessly. We won't accept typos, spelling errors or grammatical snafus, because mistakes interrupt the flow and the meaning of our words. As a result, we expect perfection and we don't tolerate errors from ourselves or others. This religious doctrine makes it difficult to be a writer at times, but we can't help ourselves. We are obsessed with perfection.

Apa Format Example Paper

Living this way can make it difficult to meet deadlines, however, as we await the ideal word, headline or first paragraph. Sometimes we must settle for less. Sometimes we even have to settle for pretty good. It's a harsh reality, but at some point, we have to unblemished our latest assignment or task and turn it in so we can get paid. We have to let go of the perfection we covet, because it isn't going to bless us with its presence today.

You Don't Need to be exquisite But Your Writing Does

MLA Handbook for Writers of Research Papers Best

Rate This Product :


MLA Handbook for Writers of Research Papers Feature

  • ISBN13: 9780873529860
  • Condition: USED - Very Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

MLA Handbook for Writers of Research Papers Overview

The MLA Handbook is published by the Modern Language Association, the authority on MLA documentation style. Widely adopted in high schools, colleges, and publishing houses, the MLA Handbook treats every aspect of research writing, from selecting a topic to submitting the completed paper. The expanded, revised, and redesigned sixth edition of the Handbook is a complete, up-to-date guide to documentation style and online research.


Customer Reviews




*** Product Information and Prices Stored: Feb 26, 2012 14:47:20

Our editors, however, see it differently. They will expect perfection, not because they are masochists but because it makes their jobs easier. If our work is flawless, they have less to do. They can focus on other writer's work or planning their next issue or project. To endear ourselves to them (and to get more work), we must dutifully comply. The issue is trying to equilibrium our desire to be perfect with the reality that we will never be. We can come close though by thought about proofreading, editing and fact-checking our work prior to submission. Here's how.

Proofreading-checking for spelling, punctuation, grammatical and formatting errors-can be a tedious, cumbersome task, particularly when attempting to proof your own work, but it can be done. I normally proofread on my computer screen first, development edits as I go. When done, I print off a hard copy and go straight through line by line, reading out loud as I go. I find that I observation errors in print that I don't see on screen, and reading out loud helps me to find words that I've missed or used incorrectly (e.g., there instead of their). For well important assignments, I'll ask person else to proof it as well. In fact, I have an editing buddy with whom I trade proofreading help. I have also tried reviewing the copy backwards and reviewing for a separate item while each pass straight through the text. For example, the first time I read straight through it, I might focus on spelling, the next time on grammar, etc. Make sure you have your dictionary and grammar guide handy too while this stage.

Editing. In expanding to proofreading, I also copyedit my work, meaning I check for misplaced modifiers, tell style, check for flow, etc. This process is more intense than proofreading and can take awhile. It is also difficult to do immediately after finishing an assignment, so I will set it aside until morning when I can look at it with "fresh eyes." Often major errors will jump off the page, begging to be corrected. while this phase, you'll need to have your handy stylebook out (Ap, Apa, Chicago by hand of Style, etc.) to be sure that you've followed the accepted guidelines for things like capitalization, numbers (figures versus text) and references.

Fact-checking. Many publications, particularly magazines, will fact-check your work. In other words, they'll verify the spelling of allowable names, check dates, key facts, website addresses, phone numbers and more. While publications often hire person to do this task, by doing it yourself first, you can save the publication time and money, again development it easier to work with you. When I fact-check my writing, I first double-check the spelling of all names and places. I look at reference materials (brochures, bios, enterprise cards, etc.) that I've been given, and I search online. If I am unsure, I'll phone the traditional source to confirm a spelling. I do the same thing with dates. For key facts, I do an Internet search, marking my source to either contribute to the fact-checker up front or for my own reference should I be questioned later. This was particularly helpful when I wrote an description about a coal mine explosion in the early 1900s. My editor wanted to confirm that a single mining town was second in size only to Seattle. Before she was willing to allow me to make that statement, she wanted verification.

In spite of these techniques, we are human and it is still possible that an error will occasionally slip straight through the cracks. However, if you are diligent in your effort to submit well-written, well-documented work without definite errors, your editors and publishers will be more likely to turn to you rather than the other guy - you know who I mean - the writer who thinks he's great but who can't spell his way out of a paper bag. Make sure you are the one they turn to for stellar, (nearly) flawless work.

Happy Writing!

Copyright (c) 2007 Dana Blozis

You Don't Need to be exquisite But Your Writing Does

27 Kasım 2012 Salı

Free computer training resources and courses

To contact us Click HERE



As technology changes and schools upgrade software, add new apps, change hardware or operating systems, and more, faculty, staff and students need training and support. GCFLearnFree is a program of Goodwill Industries of Eastern NC and provides quality online learning courses for free. They have a large amount of free computer training resources that are well designed, easy to use and understand, and great for sharing with faculty, staff, and students. The Office 2010 course is great and I am sharing it with our users to help them transition from Office 2003 to Office 2010 because of the different menu system.

The computer courses page  has 19 courses including Computer Basics, Email, Internet, Social Media, Google Apps, iPads, and much more.



This is a must bookmark, must share resource. http://www.gcflearnfree.org/computers 


Related:

Collection of free training resources for Windows, Office, Google Apps, and more






Learn where menu and toolbar commands are in Office 2010 and related products

To contact us Click HERE


I just recently posted an article with Free Computer Training Resources and another one with a Collection of free training resources for Windows, Office, Google Apps, and more as I've been collecting resources for our staff, faculty, and students.

I just found another great resource on Microsoft Office. We are transitioning from Office 2003 to Office 2010 and, as many of you know, there are major menu changes in terms of where commands are located.

Microsoft has a great site that has tutorials and interactive guides to find where the commands are in Office  2010 products. It is easy to use and the interactive guide walks you through finding specific commands.



One caveat - it uses Silverlight so you have to use Internet Explorer to access the interactive guides.

This is a great resource to share with anyone learning Office 2010.





Edutopia: on 'How Did School Do?'

To contact us Click HERE
by Shelly Blake-Plock

Edutopia published a guest post of mine today about the 'How Did School Do' project. Here's a snippet...

It wasn’t long ago that language arts teacher Wheeler and his Lakewood City School District biology-teaching colleague Ken Kozar –- along with a class of eager 10th graders –- realized that certain questions weren’t being asked online. And one question above all resonated with teacher and student alike: How did school do?
Read the whole article at Edutopia.

We Can't Define Social Media

To contact us Click HERE
by John T. Spencer

Educators clamor for open access to social media in schools. We (including me) write about the need to teach digital citizenship to the digital natives. And yet . . . how do we even define social media? I witnessed many metaphors yesterday and each one of them seemed to suggest that we are attempting to find things in our physical world in order to make sense out of the digital.

I'm not sure it does make sense. At least not to me.


LocationShould we view social media as a public location? If so, does it matter where one tweets from if he or she is "on Twitter?" Is it about the network? the equipment? If it is a space, is it truly public? Does it make a difference that someone must willfully follow a person on Twitter or "friend" a person on Facebook? My speech is, in this sense, less public than it would be at a supermarket or a baseball game.

Defining social media through the lens of location becomes tricky, though. Twitter is, on some level, a spaceless space. It is real-time, but not bound by time. My words do not evaporate the way they do in conversation. Instead, I leave a ticker-tape of thoughts behind me for anyone to pick up asynchronously. In addition, social media allow users to be in many places at the same time in a way that is simply not possible without a horcrux (Harry Potter reference). 
If I can speak openly about my faith at Starbucks with a group of friends then what changes if it in a tweet instead? The size of the group, perhaps? What size is large enough to be "broadcast?" If this is the case, it would seem that the larger issue is less about the Establishment Clause than the right to assemble publicly.

Content
Should we view social media as the tools we use for the content that we produce? Is it similar to writing a book, publishing a magazine, posting a blog? What makes a tweet different from a bumper sticker in a staff parking lot, where a student might see political, personal or religious speech? How are my Instagram pictures any different from putting photography in a museum? 
The difficulty here is that the content is more accesible than in other forms of media. It is public, open to the entire world anywhere at any time. And unlike other media outlets, it is one in which the creators of the content do not have any voice in who owns the method. 
If so, then are the issues of free exercise and the establishment clause really relevant to social media? At this point, it seems that it would be more an issue of the freedom of the press. It is hard to deny the power of the pocket journalists in the Arab Spring who used social media to report on the issues in the world. 
CommunicationShould we view social media as a method of communicating? Is it simply another form of conversation, not unlike body language, voice, text, etc.? When I'm tweeting am I simply having a conversation with whoever cares to listen? 
The problem here is that social media doesn't work like traditional forms of communication. The permanence, the broadcast nature of each medium, the difficulty in determining who is "listening" make it challenging. Moreover, it becomes even more challenging when it social media, by nature, are multimedia. Twitter involves videos, pictures, symbols, text, all moving digitally. 
IdentityShould we view social media as an expression of one's identity? We use terms like digital citizenship, online identity and branding, which all suggest that social media moves beyond simply communicating and into "being." 
The problem here is that it is easier online to choose anonymity and to craft identity in ways that are much more difficult in person. In addition, social media force the individual to create separate accounts  if he or she wants to compartmentalize. I am always a teacher at school. It is my identity. My speech changes when I am off the clock, outside of school. 
I see a real danger in the notion that employers (especially if it is the government) essentially "owns" a person at all times when he or she uses social media. When the speech is permanent (as it is) and the profile is static (as it is), I don't have the chance to switch roles and responsibilities. 
What does it mean, then, to protect the personal side of a teacher (or any worker) online? At what point does a teacher still represent a school even when he or she is "away" from that context? 

Cell Phones Don't Annoy People; People Annoy People.

To contact us Click HERE
By Noah Geisel (@SenorG)

Last week, I joined fans of public radio’s This American Life, in shelling out twenty bucks to go to the movie theater for a live taping of the program. Host Ira Glass drew laughs when he talked about the many theater managers nervous that we was encouraging viewers to take out their cell phones during the show. While he was going for laughs, he was dead serious about letting folks fill the theater rooms with screen glow. Dozens of audience members in hundreds of theaters across two continents simultaneously pulled out their smart phones and fired up the app that had been created specifically for this show. Glass introduced the band OK Go, known more for their groundbreaking music videos than pop melodies. The gimmick-geared musicians did not disappoint. The easiest way I can describe the experience: the band played music and with the app the audience played Guitar Hero to accompany them. I think the consensus was that it was pretty cool stuff.

At the end of the song, folks put their phones away and the show, as they say, went on.

Cell phones have become Enemy #1 in subways, movie theaters and pretty much every public space. OK Go and This American Life provide an excellent example of how mobile technology can be mobilized for positive disruption. They succeed in showing that the negative disruptions are a product of the users, not the phones.

This is a good lesson for schools and educators to note. In edu-speak, controlling the impact of cell phones is a classroom management issue, not a cell phone issue. This does not necessarily mean educators need to be incorporating mobile into their lessons (though many readers of this blog probably do); rather, that we are at least embedding into our lessons the idea of responsible cell phone citizenship. Modeling the positive disruptions a la Ira Glass is one of many ways of fostering this important learning.

26 Kasım 2012 Pazartesi

You Don't Need to be exquisite But Your Writing Does

To contact us Click HERE

Having written since I was a kid, I've met many authors, writers and journalists along the way. While we don't all fit the stereotype of the robed, sleepless, alcoholic writer hunched over a typewriter in the attic, we do have much in common. In expanding to being the winners of spelling bees and hoarders of dictionaries and other books, we love words. We love to read them, hear them, speak them and write them. We love them to a fault.

We must have the right words in the right place at the right time. And, possibly more importantly, they must be written flawlessly. We won't accept typos, spelling errors or grammatical snafus, because mistakes interrupt the flow and the meaning of our words. As a result, we expect perfection and we don't tolerate errors from ourselves or others. This religious doctrine makes it difficult to be a writer at times, but we can't help ourselves. We are obsessed with perfection.

Apa Format Example Paper

Living this way can make it difficult to meet deadlines, however, as we await the ideal word, headline or first paragraph. Sometimes we must settle for less. Sometimes we even have to settle for pretty good. It's a harsh reality, but at some point, we have to unblemished our latest assignment or task and turn it in so we can get paid. We have to let go of the perfection we covet, because it isn't going to bless us with its presence today.

You Don't Need to be exquisite But Your Writing Does

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Our editors, however, see it differently. They will expect perfection, not because they are masochists but because it makes their jobs easier. If our work is flawless, they have less to do. They can focus on other writer's work or planning their next issue or project. To endear ourselves to them (and to get more work), we must dutifully comply. The issue is trying to equilibrium our desire to be perfect with the reality that we will never be. We can come close though by thought about proofreading, editing and fact-checking our work prior to submission. Here's how.

Proofreading-checking for spelling, punctuation, grammatical and formatting errors-can be a tedious, cumbersome task, particularly when attempting to proof your own work, but it can be done. I normally proofread on my computer screen first, development edits as I go. When done, I print off a hard copy and go straight through line by line, reading out loud as I go. I find that I observation errors in print that I don't see on screen, and reading out loud helps me to find words that I've missed or used incorrectly (e.g., there instead of their). For well important assignments, I'll ask person else to proof it as well. In fact, I have an editing buddy with whom I trade proofreading help. I have also tried reviewing the copy backwards and reviewing for a separate item while each pass straight through the text. For example, the first time I read straight through it, I might focus on spelling, the next time on grammar, etc. Make sure you have your dictionary and grammar guide handy too while this stage.

Editing. In expanding to proofreading, I also copyedit my work, meaning I check for misplaced modifiers, tell style, check for flow, etc. This process is more intense than proofreading and can take awhile. It is also difficult to do immediately after finishing an assignment, so I will set it aside until morning when I can look at it with "fresh eyes." Often major errors will jump off the page, begging to be corrected. while this phase, you'll need to have your handy stylebook out (Ap, Apa, Chicago by hand of Style, etc.) to be sure that you've followed the accepted guidelines for things like capitalization, numbers (figures versus text) and references.

Fact-checking. Many publications, particularly magazines, will fact-check your work. In other words, they'll verify the spelling of allowable names, check dates, key facts, website addresses, phone numbers and more. While publications often hire person to do this task, by doing it yourself first, you can save the publication time and money, again development it easier to work with you. When I fact-check my writing, I first double-check the spelling of all names and places. I look at reference materials (brochures, bios, enterprise cards, etc.) that I've been given, and I search online. If I am unsure, I'll phone the traditional source to confirm a spelling. I do the same thing with dates. For key facts, I do an Internet search, marking my source to either contribute to the fact-checker up front or for my own reference should I be questioned later. This was particularly helpful when I wrote an description about a coal mine explosion in the early 1900s. My editor wanted to confirm that a single mining town was second in size only to Seattle. Before she was willing to allow me to make that statement, she wanted verification.

In spite of these techniques, we are human and it is still possible that an error will occasionally slip straight through the cracks. However, if you are diligent in your effort to submit well-written, well-documented work without definite errors, your editors and publishers will be more likely to turn to you rather than the other guy - you know who I mean - the writer who thinks he's great but who can't spell his way out of a paper bag. Make sure you are the one they turn to for stellar, (nearly) flawless work.

Happy Writing!

Copyright (c) 2007 Dana Blozis

You Don't Need to be exquisite But Your Writing Does

Edutopia: on 'How Did School Do?'

To contact us Click HERE
by Shelly Blake-Plock

Edutopia published a guest post of mine today about the 'How Did School Do' project. Here's a snippet...

It wasn’t long ago that language arts teacher Wheeler and his Lakewood City School District biology-teaching colleague Ken Kozar –- along with a class of eager 10th graders –- realized that certain questions weren’t being asked online. And one question above all resonated with teacher and student alike: How did school do?
Read the whole article at Edutopia.

We Can't Define Social Media

To contact us Click HERE
by John T. Spencer

Educators clamor for open access to social media in schools. We (including me) write about the need to teach digital citizenship to the digital natives. And yet . . . how do we even define social media? I witnessed many metaphors yesterday and each one of them seemed to suggest that we are attempting to find things in our physical world in order to make sense out of the digital.

I'm not sure it does make sense. At least not to me.


LocationShould we view social media as a public location? If so, does it matter where one tweets from if he or she is "on Twitter?" Is it about the network? the equipment? If it is a space, is it truly public? Does it make a difference that someone must willfully follow a person on Twitter or "friend" a person on Facebook? My speech is, in this sense, less public than it would be at a supermarket or a baseball game.

Defining social media through the lens of location becomes tricky, though. Twitter is, on some level, a spaceless space. It is real-time, but not bound by time. My words do not evaporate the way they do in conversation. Instead, I leave a ticker-tape of thoughts behind me for anyone to pick up asynchronously. In addition, social media allow users to be in many places at the same time in a way that is simply not possible without a horcrux (Harry Potter reference). 
If I can speak openly about my faith at Starbucks with a group of friends then what changes if it in a tweet instead? The size of the group, perhaps? What size is large enough to be "broadcast?" If this is the case, it would seem that the larger issue is less about the Establishment Clause than the right to assemble publicly.

Content
Should we view social media as the tools we use for the content that we produce? Is it similar to writing a book, publishing a magazine, posting a blog? What makes a tweet different from a bumper sticker in a staff parking lot, where a student might see political, personal or religious speech? How are my Instagram pictures any different from putting photography in a museum? 
The difficulty here is that the content is more accesible than in other forms of media. It is public, open to the entire world anywhere at any time. And unlike other media outlets, it is one in which the creators of the content do not have any voice in who owns the method. 
If so, then are the issues of free exercise and the establishment clause really relevant to social media? At this point, it seems that it would be more an issue of the freedom of the press. It is hard to deny the power of the pocket journalists in the Arab Spring who used social media to report on the issues in the world. 
CommunicationShould we view social media as a method of communicating? Is it simply another form of conversation, not unlike body language, voice, text, etc.? When I'm tweeting am I simply having a conversation with whoever cares to listen? 
The problem here is that social media doesn't work like traditional forms of communication. The permanence, the broadcast nature of each medium, the difficulty in determining who is "listening" make it challenging. Moreover, it becomes even more challenging when it social media, by nature, are multimedia. Twitter involves videos, pictures, symbols, text, all moving digitally. 
IdentityShould we view social media as an expression of one's identity? We use terms like digital citizenship, online identity and branding, which all suggest that social media moves beyond simply communicating and into "being." 
The problem here is that it is easier online to choose anonymity and to craft identity in ways that are much more difficult in person. In addition, social media force the individual to create separate accounts  if he or she wants to compartmentalize. I am always a teacher at school. It is my identity. My speech changes when I am off the clock, outside of school. 
I see a real danger in the notion that employers (especially if it is the government) essentially "owns" a person at all times when he or she uses social media. When the speech is permanent (as it is) and the profile is static (as it is), I don't have the chance to switch roles and responsibilities. 
What does it mean, then, to protect the personal side of a teacher (or any worker) online? At what point does a teacher still represent a school even when he or she is "away" from that context? 

Cell Phones Don't Annoy People; People Annoy People.

To contact us Click HERE
By Noah Geisel (@SenorG)

Last week, I joined fans of public radio’s This American Life, in shelling out twenty bucks to go to the movie theater for a live taping of the program. Host Ira Glass drew laughs when he talked about the many theater managers nervous that we was encouraging viewers to take out their cell phones during the show. While he was going for laughs, he was dead serious about letting folks fill the theater rooms with screen glow. Dozens of audience members in hundreds of theaters across two continents simultaneously pulled out their smart phones and fired up the app that had been created specifically for this show. Glass introduced the band OK Go, known more for their groundbreaking music videos than pop melodies. The gimmick-geared musicians did not disappoint. The easiest way I can describe the experience: the band played music and with the app the audience played Guitar Hero to accompany them. I think the consensus was that it was pretty cool stuff.

At the end of the song, folks put their phones away and the show, as they say, went on.

Cell phones have become Enemy #1 in subways, movie theaters and pretty much every public space. OK Go and This American Life provide an excellent example of how mobile technology can be mobilized for positive disruption. They succeed in showing that the negative disruptions are a product of the users, not the phones.

This is a good lesson for schools and educators to note. In edu-speak, controlling the impact of cell phones is a classroom management issue, not a cell phone issue. This does not necessarily mean educators need to be incorporating mobile into their lessons (though many readers of this blog probably do); rather, that we are at least embedding into our lessons the idea of responsible cell phone citizenship. Modeling the positive disruptions a la Ira Glass is one of many ways of fostering this important learning.

A new chapter in my career - I'm now CIO for the district

To contact us Click HERE

Teacher >> Chief Information Officer
Monday, November 5th, is my first day in a new chapter in my education career. I am the new Chief Information Officer for the district and I will be overseeing the Educational Technology, Information Technology, and work closely with Data/Assessment/Accountability departments. 

I have already been working on some initiatives and there are some really great things in the works, including upgrades to much of the technology in the district. I have also been getting up to speed on some of the challenges and successes we have and will need to address. 
I spent 10 years as an engineer before becoming a Physics teacher and Educational Technology Specialist. I then spent 10 years in the classroom as a teacher and as an educational technology specialist and professional development facilitator. Now, I get to use my experience from all of these areas in one job. I'm looking forward to the challenges and am excited to get started. 
The staff I will be working with is talented and dedicated and have overcome many issues and challenges in the future and will continue to do so. 
As I transition into this new role, I will not have as much time to devote to this blog, so there will be less postings at first. I will continue to post to this blog though and will be adding some new features to it. 
I also look forward to continuing to collaborate, share and learn from the members of my PLN and will be looking for advice and help in the coming months. 


25 Kasım 2012 Pazar

We Can't Define Social Media

To contact us Click HERE
by John T. Spencer

Educators clamor for open access to social media in schools. We (including me) write about the need to teach digital citizenship to the digital natives. And yet . . . how do we even define social media? I witnessed many metaphors yesterday and each one of them seemed to suggest that we are attempting to find things in our physical world in order to make sense out of the digital.

I'm not sure it does make sense. At least not to me.


LocationShould we view social media as a public location? If so, does it matter where one tweets from if he or she is "on Twitter?" Is it about the network? the equipment? If it is a space, is it truly public? Does it make a difference that someone must willfully follow a person on Twitter or "friend" a person on Facebook? My speech is, in this sense, less public than it would be at a supermarket or a baseball game.

Defining social media through the lens of location becomes tricky, though. Twitter is, on some level, a spaceless space. It is real-time, but not bound by time. My words do not evaporate the way they do in conversation. Instead, I leave a ticker-tape of thoughts behind me for anyone to pick up asynchronously. In addition, social media allow users to be in many places at the same time in a way that is simply not possible without a horcrux (Harry Potter reference). 
If I can speak openly about my faith at Starbucks with a group of friends then what changes if it in a tweet instead? The size of the group, perhaps? What size is large enough to be "broadcast?" If this is the case, it would seem that the larger issue is less about the Establishment Clause than the right to assemble publicly.

Content
Should we view social media as the tools we use for the content that we produce? Is it similar to writing a book, publishing a magazine, posting a blog? What makes a tweet different from a bumper sticker in a staff parking lot, where a student might see political, personal or religious speech? How are my Instagram pictures any different from putting photography in a museum? 
The difficulty here is that the content is more accesible than in other forms of media. It is public, open to the entire world anywhere at any time. And unlike other media outlets, it is one in which the creators of the content do not have any voice in who owns the method. 
If so, then are the issues of free exercise and the establishment clause really relevant to social media? At this point, it seems that it would be more an issue of the freedom of the press. It is hard to deny the power of the pocket journalists in the Arab Spring who used social media to report on the issues in the world. 
CommunicationShould we view social media as a method of communicating? Is it simply another form of conversation, not unlike body language, voice, text, etc.? When I'm tweeting am I simply having a conversation with whoever cares to listen? 
The problem here is that social media doesn't work like traditional forms of communication. The permanence, the broadcast nature of each medium, the difficulty in determining who is "listening" make it challenging. Moreover, it becomes even more challenging when it social media, by nature, are multimedia. Twitter involves videos, pictures, symbols, text, all moving digitally. 
IdentityShould we view social media as an expression of one's identity? We use terms like digital citizenship, online identity and branding, which all suggest that social media moves beyond simply communicating and into "being." 
The problem here is that it is easier online to choose anonymity and to craft identity in ways that are much more difficult in person. In addition, social media force the individual to create separate accounts  if he or she wants to compartmentalize. I am always a teacher at school. It is my identity. My speech changes when I am off the clock, outside of school. 
I see a real danger in the notion that employers (especially if it is the government) essentially "owns" a person at all times when he or she uses social media. When the speech is permanent (as it is) and the profile is static (as it is), I don't have the chance to switch roles and responsibilities. 
What does it mean, then, to protect the personal side of a teacher (or any worker) online? At what point does a teacher still represent a school even when he or she is "away" from that context? 

Cell Phones Don't Annoy People; People Annoy People.

To contact us Click HERE
By Noah Geisel (@SenorG)

Last week, I joined fans of public radio’s This American Life, in shelling out twenty bucks to go to the movie theater for a live taping of the program. Host Ira Glass drew laughs when he talked about the many theater managers nervous that we was encouraging viewers to take out their cell phones during the show. While he was going for laughs, he was dead serious about letting folks fill the theater rooms with screen glow. Dozens of audience members in hundreds of theaters across two continents simultaneously pulled out their smart phones and fired up the app that had been created specifically for this show. Glass introduced the band OK Go, known more for their groundbreaking music videos than pop melodies. The gimmick-geared musicians did not disappoint. The easiest way I can describe the experience: the band played music and with the app the audience played Guitar Hero to accompany them. I think the consensus was that it was pretty cool stuff.

At the end of the song, folks put their phones away and the show, as they say, went on.

Cell phones have become Enemy #1 in subways, movie theaters and pretty much every public space. OK Go and This American Life provide an excellent example of how mobile technology can be mobilized for positive disruption. They succeed in showing that the negative disruptions are a product of the users, not the phones.

This is a good lesson for schools and educators to note. In edu-speak, controlling the impact of cell phones is a classroom management issue, not a cell phone issue. This does not necessarily mean educators need to be incorporating mobile into their lessons (though many readers of this blog probably do); rather, that we are at least embedding into our lessons the idea of responsible cell phone citizenship. Modeling the positive disruptions a la Ira Glass is one of many ways of fostering this important learning.

If You're New to the Blog.....

To contact us Click HERE
If this is your first time her, welcome to "A Media Specialist's Guide to the Internet". Here are some quick info-bits about the blog:

Tabs at the top mark specific pages where information is constantly updated.

Recently updated posts include:
The 2012 Presidential Election- more resources added

eReader Books- added as a page (top) and updated


LIKE WHAT YOU SEE? Why not subscribe to this blog or follow me on Twitter.

What's Your Blood Type?

To contact us Click HERE
The Blood Typing Game is an interactive activity where students try to detect the blood type of various patients. After choosing a patient, you are asked to use a syringe and take blood which you then put into three vials. Guessing the patient's blood type is the final step. The Blood Typing Game was the 2012 Winner of the Best Game Category by Swedish Learning Awards. Students will really enjoy this game, which was recommended to me by my colleague Pat, who teaches biology.

It's Time for the Edublog Award Nominations!

To contact us Click HERE
Nominations for the 2012 Edublog Awards are open and will be accepted until November 26, 2012.  The purpose of these awards is to "promote and demonstrate the educational values of these social media."  Here's how to nominate: write a post on your blog with your nominations and send a link to the post on the nominations page. Here are the categories for this year's awards:

  • Best individual blog
  • Best group blog
  • Best new blog
  • Best class blog
  • Best student blog
  • Best ed tech / resource sharing blog
  • Best teacher blog
  • Best library / librarian blog
  • Best administrator blog
  • Most influential blog post
  • Best individual tweeter
  • Best twitter hashtag
  • Best free web tool
  • Best educational use of audio / video / visual / podcast
  • Best educational wiki
  • Best open PD / unconference / webinar series
  • Best educational use of a social network
  • Best mobile app
  • Lifetime achievement